校準：藍幕 Ｘ 藍幕 (online)
螢光漆、現成物、螢光燈具
Calibrate: Blue screen X Blue screen (online)
Fluorescent pigment, Fluorescent lamps
互動響應式網頁（interactive and responsive web page)
2020


夕陽低垂，各種光在夜裡浮動閃現。熙來攘往的公路車潮與通明深邃的街燈，遠看是點點微光與星叢，構築了現代生活與城市。流水時間隨一幀幀靜態影像片段切格，循序播放，造就了真實般的觀視錯覺。而現在，超級逼真的巨量影像以各種介面，朝我們襲來。在此刻所有人被迫遣返的獨處時刻，眼前唯留發光的屏幕與影像，這一切也許是從一個碰撞的火花開始，光以點綿延成線，以線拓展為面，構成時間與文明。

展場中看似發光的屏幕，《校準：藍幕》以螢光漆模擬投影機的失訊影像，製造因物件遮擋而投影在牆上的輪廓與陰影，辯證實體與存在的對位關係。《藍幕》的網路作品為一個實時的登入網頁，當有人在線上登入時，展場作品的燈泡會即時切換明滅，現實中以螢光漆模擬的影像畫面來回往復在機器影像與材質的實體之間，切換線上與線下的觀點。


The sun goes down and all sorts of shimmering lights linger at night. The bustling highway traffic and bright, deep street light, seen from far, have turned into dispersed dim lights and a star cluster, both of which constitute the modern urban life. The flow of time is cut into static frames of fragmented images, which are played in sequence to create a visual illusion of reality. Nowadays, a great amount of images of super verisimilitude, through all sorts of interfaces, have invaded us. At the moment when everyone is forced to regain the life of solitude, all left in front of us are the glowing screens and images. In the beginning, it might start from a collision of sparkles from which light stretches out by spots as a line expanding into a surface, by which time and civilization are thus constituted.

The seemingly glowing screens can be seen in the exhibition room. In Calibrate : Blue Screen, the artist uses fluorescent paint to simulate the projector's missing image, in order to create, by obstructed objects, contours and shadows projected on the wall. In so doing, the artist tries to see dialectically the relationship of counterpoint between substance and existence. The online work of "Blue Screen" is a real-time login page. When someone logs in online, the light bulbs of the works in the exhibition will switch on and off in real time, between online and offline views.