熱屏面－謝佑承個展
臺北數位藝術中心，臺北 
Fever Screen－HSIEH Yu-Cheng solo exhibition 
Digital Art Center, Taipei
2022
︎

協同研究—陳晞

此次展覽「熱屏面」，是以熱影像——疫情期間所照映人眼不可測之現實介面為發想起點，並藉由建構一個裝置發光物的平臺／屏幕／觀景窗，探索介面中的技術現象與光能轉譯過程中的感官經驗。

在紅外線的影像裡，物體與空間脫離原有表面，被轉譯為一種形似地質表面的光譜；由光熱數據的動向傳導，公眾與個體、互動與隔離的關係，在影像敘事中朝向物的內裡，把人體的內與外、物的形相，空間的準則區隔開來。

自然之光讓人眼得以看見我們身處的現實現象，而技術之光有時則讓不可見的事物得以顯象。依據此技術影像的制定標準，藝術家試圖勾勒其現實，重新鋪述事物與事物的邊際，以介面中的現實，再推衍至現實裡的介面，來回挪動人的意識轉變與觀看方式。

Collaborative Research—Sid Chen

This exhibition, Fever Screen, therefore draws from this otherwise undetectable interface with reality—that is, the thermal images—to establish an illuminating platform/screen/viewfinder to investigate the technological phenomenon of such an interface and the sensory experiences involved in the process of its translation into luminous energy.

In infrared images, objects and spaces are detached from their surroundings and translated into a light spectrum, similar to that used in the mapping of terrain. Through the dynamic transmission of heat data into light, the relationships between the public and the individual, and between interaction and quarantine, are unwrapped from beneath the object’s surface and its visual narrative, revealing the borders between the inner and outer body, the appearance and representation of an object, and the dimensions of spaces.

The light of nature allows the human eye to see the phenomena of our realities, whereas the light of technology visualizes what was once invisible. With this technological visual perspective, HSIEH attempts to draw another reality with alternative borders between things and shifts the cognitive paradigm and our ways of seeing by deducing our interaction with reality from that which is manifested in the interface.