空白屏幕 Blank Screen


螢光水泥漆、螢光燈
尺寸依場地而定
Fluorescent pigment, Fluorescent lamps
Dimension variable
2016. Redisplayed in 2020
相對於呈顯各種事物樣貌的影像,「No Signal」只是一部投影機啟動的初始畫面,或說是等待影像訊號抵達的平面。面對內容的空無,我們通常會忽視此一實際的所見,因為它僅意味著:「這裡還沒有東西」。透過再製、模擬一個日常所熟悉的數位投影畫面,令手繪所留下的物質痕跡與數位質地在視覺上發生交集,使觀者反思影像的存在與其自身的辯證。

Contrast to images that exhibit appearances of things, “No Signal” is merely the initial image of a starting projector, or a plane that awaits the arrival of image signals. In face of emptiness of content, we often overlook what we actually see, as it indicates merely “nothing here yet”. Through reproduction and simulation of a projected digital image familiar in our everyday lives, it creates the intersection of hand-painted material traces and digital texture for viewers to reflect upon the dialectic of the existence of image and themselves.



















© 2012–2021 HSIEH Yu-Cheng.